Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Louis Michel Eilshemius
Nude Ascending

ID: 71361

Louis Michel Eilshemius Nude Ascending
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Louis Michel Eilshemius Nude Ascending


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Louis Michel Eilshemius

(February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art. Eilshemius was a grandson of Swiss painter Louis-Leopold Robert. Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League of New York. He subsequently studied under Bouguereau at the Academie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.  Related Paintings of Louis Michel Eilshemius :. | Charon Crossing the Styx | Details of Dr.Johannes Cupinian (mk45) | Verfolgt | Portrait of the Duke and Duchess of Montefeltro | Portrait of Frederick H. Hemming |
Related Artists:
Joseph Friedrich August Darbes
(1747 -1810 ) - Painter
Edouard Richter
French, 1844-1913
Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;






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